PETRONIUS
Anderson, G., 1984, Ancient Fiction: The Novel in the Greco-Roman World, London.
Blythe, B., 2020, "The Peacock, the Chicken, and the Egg: Ennius' Avian Metempsychosis and Petronius' Satyrica," American Journal of Philology 141: 179-209.
Bodel, J., 1984, "Freedmen in the Satyricon of Petronius" (diss. University of Michigan). Ann Arbor.
Bodel, J., 1999, "The Cena Trimalchionis," pp. 38-51 in Hofmann (1999).
Boyce, B., 1991, The Language of the Freedmen in Petronius' Cena Trimalchionis, Leiden.
Buckey, E. 2013, Blackwell's A Companion to the Neronian Age. Malden, MA.
Conners, C., 1998, Petronius the Poet, Cambridge.
Conte, G.B., 1996, The Hidden Author: An Interpretation of Petronius' Satyricon, Berkeley.
Courtney, E. A., 2001, Companion to Petronius, Oxford.
Cueva, E. et al. 2014. Blackwell's Companion to the Ancient Novel, Malden, MA.
Endres, N., 2011, "Petronius in West Egg: The Satyricon and The Great Gatsby," pp. 111-24 in M. Pinheiro (ed.), Fictional Traces: Receptions of the Ancient Novel, Groningen.
Freas, D., 2021, "Fabula muta: Petronius, Poetry, and Rape," American Journal of Philology 142: 629-58.
Hofmann, H. (ed.), 1999, Latin Fiction: The Latin Novel in Context, London.
Panayotakis, C., 1995, Theatrical Elements in the Satyrica of Petronius, Leiden.
Panayotakis, C., 2015, "Encolpius and the Charlatans," pp. 31-46 in Paschalis, M. et al. (2015).
Panayotakis, C., 2019, "Slavery and Beauty in Petronius," pp. 181-201 in S. Panayotakis and M. Paschalis, eds., Slaves and Masters in the Ancient Novel, Groningen.
Paschalis, M. et al. 2015, Holy Men and Charlatans in the Ancient Novel. Ancient Narrative (Supplement 19).
Plaza, M., 2000, Laughter and Derision in Petronius' Satyrica: a Literary Study, Stockholm.
Prag, J. R. W. and I. Repath (eds.), 2009, Petronius: A Handbook, Malden, MA.
Rimell, V., 2002, Petronius and the Anatomy of Fiction, Cambridge.
Schmeling, G. (ed.), 1996, The Novel in the Ancient World, Leiden.
Schmeling, G.
2011. A Commentary on the Satyrica of Petronius, Oxford.
Slater, N.W., 1990, Reading Petronius, Baltimore.
Slater, N.W., 2021, "Repetition, Improvisation, and Parody: Eumolpus Re-takes Troy in Petronius's Satyrica 83-90," pp. 285-303 in D. Beck (ed.), Orality and Literaracy in the Ancient World, Leiden.
Sullivan, J.P., 1968, The Satyricon of Petronius: A Literary Study, Bloomington, IN.
Tatum, J. (ed.), 1994, The Search for the Ancient Novel, Baltimore.
Walsh, P.G. 1970, The Roman Novel: The "Satyricon" of Petronius and the "Metamorphoses" of Apuleius, Cambridge.
Whitmarsh, T, (ed.), 2008, The Cambridge Companion to the Greek and Roman Novel, Cambridge
Zeitlin, F., 1971, "Petronius as Paradox: Anarchy and Artistic Integrity,” Transactions of the American Philological Association 102: 631-84.
LUCAN
Ahl, F., 1976, Lucan: An Introduction, Ithaca.
Asso, P. (ed.), 2011, Brill's Companion to Lucan, Leiden.
Bartsch, S., 1994, Actors in the Audience. Theatricality and Doublespeak from Nero to Hadrian, Cambridge, MA.
Bartsch, S., 1997, Ideology in Cold Blood. A Reading of Lucan's Civil War, Cambridge, MA.
Behr, F. 2007, Feeling History. Lucan, Stoicism, and the Poetics of Passion, Columbus, OH.
Bexley, E. M., 2009, “Replacing Rome: Geographic and Political Centrality in Lucan's Pharsalia,” Classical Philology 104: 459-75.
Bramble, J., 1982, “Lucan,” pp. 533-57 in The Cambridge History of Classical Literature II: Latin Literature, Cambridge.
Buckey, E. 2013, Blackwell's A Companion to the Neronian Age. Malden, MA.
Day, H.J.M, 2013, Lucan and the Sublime: Power, Representation and Aesthetic Experience, Cambridge.
Dinter, M., 2012, Anatomizing Civil War: Studies in Lucan’s Epic Technique, Ann Arbor.
Faber, R.A., 2005, “The Adaptation of Apostrophe in Lucan's Bellum Civile,” pp. 334-43 in C. Deroux (ed.), Studies in Latin Literature and Roman History 12, Brussels.
Facchini, B., 2020, "Lucan and Virgil:
from Dante and Petrarch (and Boccaccio)," International Journal of the Classical Tradition 27: 1-22.
Fantham, E., 2004, “The Angry poet and the Angry Gods: Problems of Theodicy in Lucan's Epic of Defeat,” pp. 229-49 in S. Braund and G. W. Most (eds.), Ancient Anger. Perspectives from Homer to Galen, Cambridge.
Feeney, D.C., 1991, The Gods in Epic, Oxford.
Hardie, P., 1993, The Epic Successors of Virgil, Cambridge.
Hardy, N.J.S., 2013, War, Liberty, and Caesar: Responses to Lucan's Bellum Ciuile, ca. 1580-1650, Oxford.
Hershkowitz, D., 1998, Madness in Epic. Reading Insanity from Homer to Statius, Oxford.
Joseph, T., 2017, "Pharsalia as Rome's 'Day of Doom' in Lucan," American Journal of Philology 138: 107-41.
Johnson, W.R., 1987, Momentary Monsters: Lucan and his Heroes, Ithaca.
Keith, A. M., 2000, Engendering Rome. Women in Latin Epic, Cambridge.
Lapidge, M., 1979, “Lucan's Imagery of Cosmic Dissolution,” Hermes 107: 344-70.
Leigh, M., 1997, Lucan: Spectacle and Engagement, Oxford.
Leigh, M., 2000, “Lucan and the Libyan Tale,” Journal of Roman Studies 90: 95-109.
Maes, Y., 2009, “One But Not the Same? Cato and Alexander in Lucan's Pharsalia 9,493-618 (and Caesar too),” Latomus 68: 657-79.
Masters, J., 1992, Poetry and Civil War in Lucan's Bellum Civile, Cambridge.
Mebane, J., 2016, "Pompey's
Head and the Body Politic in Lucan's De Bello Civili," Transactions of the American Philological Association 146: 191-215.
O'Hara, J., 2007, Inconsistency in Roman Epic. Studies in Catullus, Lucretius, Vergil, Ovid and Lucan, Cambridge.
Rolim de Moura, A., 2021, "Hesiodic Patterns in Lucan: Cosmic and Civil Wars," Classical Journal 116: 47-79.
Sanderson, E., 2021, "A World beside itself: Exploring and Experiencing the Uncanny in Lucan's Bellum Ciuile," Preternature 10: 90-116.
Santangelo, F., 2015, "Testing Boundaries: Divination and Prophecy in Lucan," Greece & Rome 62: 177-88.
Sklenár, R. , 2003, The Taste for Nothingness. A Study of virtus and Related Themes in Lucan's Bellum Civile, Ann Arbor.
Spencer, D., 2005, “Lucan's Follies. Memory and Ruin in a Civil-war Landscape, Greece & Rome 52: 46-68.
Tracy, J., 2010, “Fallentia Sidera: The Failure of Astronomical Escapism in Lucan,” American Journal of Philology 131: 635-61.
Walde, C., 2006, “Caesar, Lucan's Bellum Civile, and Their Reception,” pp. 45-61 in: M. Wyke (ed.), Julius Caesar in Western Culture, Oxford.
Wheeler, S. M., 2002, “Lucan's reception of Ovid's Metamorphoses.” Arethusa 35: 361-80.
SENECA (philosophy)
Annas, J., 1993, The Morality of Happiness, Oxford.
Bartsch, S. and D. Wray (eds.), 2009, Seneca and the Self, Cambridge.
Bartsch, S. and A. Schiesaro (eds.), 2015, Cambridge Companion to Seneca, Cambridge.
Cooper, J. M., 2004 (ed.), Knowledge, Nature, and the Good: Essays on Ancient Philosophy, Princeton.
Damschen, G. and M. Waida (eds.), 2013. Brill's Companion to Seneca: Philosopher and Dramatist, Leiden.
Edwards, C., 1997, “Self-scrutiny and Self-transformation in Seneca's Letters," Greece & Rome, 44: 23–38.
Edwards, C., 2021, "Visualizing Pain: Psycotherapy, Emotion, and Embodied Cognition in Seneca's Letters," Classical Antiquity 40: 221-48.
Graver, M, 2007, Stoicism and Emotion, Chicago.
Griffin, M., 1992, Seneca: A Philosopher in Politics 2nd edn., Oxford.
Gunderson, E., 2015, Sublime Seneca: Ethics, Literature, Metaphysics, Cambridge.
Ierodiakonou, K. (ed.), 2001, Topics in Stoic Philosophy, Oxford.
Inwood, B., 1985, Ethics and Human Action in Early Stoicism, Oxford.
Inwood, B., 2003 (ed), The Cambridge Companion to the Stoics, Cambridge.
Inwood, B, 2005, Reading Seneca: Stoic Philosophy at Rome, Oxford.
Inwood, B. (trs.), 2007, Seneca: Selected Philosophical Letters, with an introduction and commentary, Oxford.
Long, A.A., (ed.), 2006, From Epicurus to Epictetus: Studies in Hellenistic and Roman Philosophy, Oxford.
Nussbaum, M. C., 1994, The Therapy of Desire: Theory and Practice in Hellenistic Ethics, Princeton.
Rist, J., 1969, Stoic Philosophy, Cambridge.
Russell, D. C., 2004, “Virtue as ‘Likeness to God’ in Plato and Seneca,” Journal of the History of Philosophy 42: 241–60.
Van Wassenhove, B., 2021, "Moral sententiae and Progressor Emotions in Seneca's Philosophical Works," Classical Philology 116: 613-23.
Veyne, P., 2003, Seneca: the life of a Stoic, tr. by David Sullivan, New York.
Vogt, K. M., 2008, Law, Reason, and the Cosmic City: Political Philosophy in the Early Stoa, Oxford.
Volk, K., and G. Williams (eds.), 2006, Seeing Seneca Whole: Perspectives on Philosophy, Poetry and Politics (Columbia Studies in the Classical Tradition 28), Leiden.
SENECA (tragedy)
Bartsch, S. and A. Schiesaro (eds.), 2015, The Cambride Companion to Seneca, Cambridge.
Bishop, J. D., 1985, Seneca's Daggered Stylus, Political Code in the Tragedies, Königstein.
Boyle, A. J., 1983, Seneca Tragicus. Ramus Essays on Senecan Drama, Berwick, Vic.
Boyle, A. J., 1987, "Senecan Tragedy: Twelve Propositions," Ramus 16: 78-101.
Boyle, A. J., 1997, Tragic Seneca: An Essay in the Theatrical Tradition, London.
Boyle, A.J., 2017, Seneca: Thyestes, Oxford.
Braden, G., 1985, Renaissance Tragedy and the Senecan Tradition: Anger’s Privilege, New Haven & London.
Calabrese, E., 2021, "Lacrimae and uultus: Pragmatic Considerations on Gestures in Seneca's Tragedies," pp. 403-20 in G. Martin et al., eds., Pragmatic Approaches to Drama: Studies in Communication on the Ancient Stage, Leiden.
Curley, T. F., 1986, The Nature of Senecan Drama, Rome.
Damschen, G. and M. Waida (eds.), 2013, Brill's Companion to Seneca: Philosopher and Dramatist, Leiden.
Davis, P., 1993, Shifting Song: The Chorus in Seneca's Tragedies, Hildesheim.
Davis, P.J., 2015, "Seneca's Thyestes and the Political Tradition in Roman Tragedy," pp. 151-67 in G.W.M. Harrison, ed. Brill's Companion to Roman Tragedy (Leiden).
Fitch, J. G., 1981, “Sense-Pauses and Relative Dating in Seneca, Sophocles, and Shakespeare,” American Journal of Philology 102: 289-307.
Fitch, J. G. (ed.), 2008, Seneca (Oxford Readings in Classical Studies), Oxford.
Frangoulidis, S., 2017, "Furia as an auctor in Seneca's Thyestes," Trends in Classics 9: 179-90.
Haley, M., 2018, "Teknophagy and Tragicomedy: the Mythical Burlesques of Tereus and Thyestes," Ramus 47: 152-73.
Henry, D. and Henry, E., 1985, The Mask of Power, Warminster and Chicago.
Herington, C. J., 1982, "Senecan Tragedy," pp. 519-30 in The Cambridge History of Classical Literature, II: Latin Literature (Cambridge).
Ker, J., 2009, The Deaths of Seneca, Oxford.
Littlewood, C., 1997, "Seneca's Thyestes: the Tragedy with no Women?" Materiali e discussioni per l'analisi dei testi classici 38: 57-86.
Littlewood, C. J. A., 2004, Self-Representation and Illusion in Senecan Tragedy, Oxford.
Miola, R. S., 1992, Shakespeare and Classical Tragedy: The Influence of Seneca, Oxford.
Pratt, N. T., 1983, Seneca's Drama, Chapel Hill.
Sutton, D. F., 1986, Seneca on the Stage, Leiden.
Rosenmeyer, T. G., 1989, Senecan Drama and Stoic Cosmology, Berkeley.
Schiesaro, A., 1997, “Passion, Reason and Knowledge in Seneca,” pp. 89-111 in S. M. Braund and C. Gill, eds., The Passions in Roman Thought and Literature (Cambridge).
Schiesaro, A., 2003, The Passions in Play: Thyestes and the Dynamics of Senecan Drama, Cambridge.
Staley, G. A., 2010, Seneca and the Idea of Tragedy, Oxford and New York.
Tarrant, R. J., 1978, "Senecan Drama and its Antecedents," Harvard Studies in Classical Philology 82: 213-63.
Trinacty, C., 2009, “Like Father Like Son: Selected Examples of Intertextuality in Seneca the Elder and Younger," Phoenix 63: 260-77.
Trinacty, C., 2014, Senecan Tragedy and the Reception of Augustan Poetry, Oxford.
Volk, K., 2006, “Cosmic Disruption in Seneca’s Thyestes: Two Ways of Looking at an Eclipse,” pp. 183-200 in K. Volk and G. Williams, eds., Seeing Seneca Whole: Perspectives on Philosophy, Poetry and Politics (= Columbia Studies in the Classical Tradition 28; Leiden).