Classics 351
January 25, 2022

Sperlonga Odysseus/Ulysses, Grotto of Tiberius, 1st century CE
[Pseudolus the comic hero: “he's got it all over Ulysses and the Trojan Horse!,” 1244; cf. "my Ulysses," 1063]
*No Class: Thursday, February 17*
*My Monday Office Hour is now 12:30pm-2:00pm*
Pseudolus 694-1335
- Pseudolus & Plautus's comic program ("metapoetics"): the Cook & Simia (+ Pseudolus the playwright-figure)
- Scene 11: the boastful & verbose Cook as spokesperson for Plautine comedy (fresh, innovative, distinctly Plautine)
Pseudolus 810ff. (originality of the ingredients of his cuisine/comic banquet)
I don't season my meals the way the other cooks do
They proudly present their guests grasslands
peppered on plates, and pile on even more greens
As if they were feeding cows, not guests ...
Pseudolus 829-836 (demonstration of his linguistic skills)
Someone who dines on my spicy concoctions
Can expect to live for two hundred years!
When I’ve sprinkled on some cookidrum
Or onionmeg or clownonia or headwoundorim, [“clownonia”= maccidem; cf. Plautus's name, Titus Maccius Plautus]
The plates themselves instantly feel the heat.
Such are my spices for Neptune’s flocks;
On creatures of the Earth I sprinkle castoroilium
Or mushmeatsis or sluiceia.

ABOVE: Greek athletes sacrificing, Attic hydria, ca. 500-475 BCE
Pseudolus 840-846 (his fantastical imaginative powers)
Cook
When everything’s ready I remove the lids:
The scent flies to the sky with outstretched hands.
Ballio
“A scent with outstretched hands?”
Cook
Oh, my mistake.
Ballio
Huh?
Cook
I meant to say “with a scent out of hams.”
Jupiter feasts daily on that scent.
Ballio
Really? What does he eat on the days you’re not cooking?
Cook
He goes to bed hungry.
- Cook played by same actor as Pseudolus? Pseudolus onstage except Scene 10 (Slave Boy's monologue) and Scenes 16-18 (Simo, Ballio, Harpax); Ballio links Cook and Pseudolus together as "thieves" at end of Scene 11 (894ff.)
- Scenes 12-15: Simia, "Monkeyman" (cf. mimesis), Pseudolus's comic double; resists Pseudolus's direction in first appearance, 905ff.
Pseudolus 925-929 (stealing Harpax's identity in theater of deception)
You can be damn sure I’ll be a better Harpax than he is! So stay calm!
I’ll work all the kinks out of this plan for you nicely.
My tricks and lies will so terrify our visiting soldier
That he himself will deny that he is who he is,
And solemnly swear that I’m him!
Pseudolus 983-988 (improvising)
Ballio
And your master’s name is?
Pseudolus (aside)
Damn! That muddies up the water!
He doesn’t know the name! Now we’re stuck!
Ballio
So what do you say his name is?
Simia
Check out the seal: you tell me his name,
So I can be sure you’re really Ballio.
Ballio
Give me the letter.
Simia
Okay. Now identify the seal.
Ballio
Oh, it’s Polymachaeroplagides!
Pseudolus 1017-1022 (outricking the trickster?)
Never, ever have I seen a worse human being,
A more deviously wicked fellow than this Simia!
He so awfully damn good he scares me!
What if, just when things are going well,
He turns his wily weapons against me
As soon as he gets the chance?

- Simia: metacomedy, nested china-box effect, mise en abîme, "place(d) into abyss"
*GROUPS*
- Scene 20: drunken comic hero settles his bet with Simo; the clever slave's creative defiance
*PERFORMANCE: Finn (Simo) & Jackson (Pseudolus)*
Pseudolus 1320-1325 (master's vs. slave's pain; their post-play future?)
Simo
Oh, Oh, Oh! [Simo cries heu, heu; cf. eheu, "waah," joke, 79ff.]
Pseudolus
Now stop that!
Simo
It hurts.
Pseudolus
One of us has to be hurting.
Simo
You’re really going to take this from your master, Pseudolus?
Pseudolus
With absolute pleasure.
Simo
You won’t give me back just a part of the money?
Pseudolus
No. Call me greedy if you want, but you’ll never be a penny richer for that.
How much pity would you have given my back if I had failed today?
Simo
I swear I’ll have my revenge.
Pseudolus
Swear all you want. I’ve got a strong back.
- Pseudolus: play about making a Plautine comedy; breaking free of the restraints of Greek New Comedy; injecting musicality, freshness, boisterousness, improvisation, messiness, etc.; Pseudolus's soiling his cloak (pallium, 1280) as symbolic act (cf. fabula palliata, "play in Greek dress")?
University of North Carolina National Endowment for the Humanities Summer Institute performance of Pseudolus, Scene 2:https://www.youtube.com/watch?v=ZiFOTA3Rn08